This week’s music is the second movement of Amy Beach’s piano quintet in F-sharp minor, performed by a group of music performance fellows at the Tanglewood Music Center in Tanglewood, Massachusetts. (Fun fact: I played Brahms’ piano quintet with the first violinist in this ensemble at the Apple Hill Chamber Music Festival in 2009).
Amy Beach was born in Henniker, New Hampshire in 1867. Unlike most composers, she was almost entirely self-taught. She came to fame in a crop of American composers that included George Chadwick, Arthur Foote, and the legendary Edward MacDowell, whose name is associated with the MacDowell Artist Colony (also in my beautiful home state of New Hampshire :).
Like most American composers of this era, Beach’s writing is quintessentially Romantic, with early strains of late romantic and even pseudo-harmonic characteristics. Her piano quintet is a perfect example of this. In the second movement, which you will hear today, she blends soaring piano solos with delicate textures in the strings, punctuated by what can only be described as Charles Ives-esque harmonic undertones.
Listen for the absolutely stunning return of the cello solo at 6:40. In my opinion, this is one of the most beautiful melodies ever written by an American composer!