We are continuing our series on the Nocturnes for solo piano by Chopin with the Nocturne Opus 37 #2, performed by pianist Szymon Nehring.
The Opus 37 Nocturnes are considered the high point of Chopin’s compositional career. Robert Schumann, another famous pianist and composer, declared these Nocturnes to be “of that nobler kind under which poetic ideality gleams more transparently.” They tend to be less energetic than the earlier Nocturnes, and you’ll notice a pensiveness and hesitant quality in them that is absent from the Nocturnes we’ve heard thus far.
As we’ve discussed, Chopin was enamored with Italian opera and inserted bel canto style into his Nocturnes. This Nocturne is no exception. It is written in the form of a barcarolle, which was a song traditionally sung by Venetian gondoliers as they paddled through the canals of Venice. Just like the other Nocturnes, the Opus 37 #2 Nocturne has a rolling sense of momentum at the beginning and a relaxed development section in the middle. I’ve always felt that the beautiful middle section is almost hymn-like.