Hello all,

Our music for this week is the Consolation in D-flat Major by Franz Liszt, performed by virtuoso pianist Valentia Lisitsa.

1849 was a wild year for Franz Liszt. During that year, he completed two European tours with the violinist Joseph Joachim, wrote both of his monumental piano concertos, composed two symphonic poems, made a number of piano transcriptions, and engaged in scandalous romantic affairs with at least two German princesses. On top of all that, he managed to find time to compose six Consolations for solo piano. The third Consolation, which you will hear today, is the most well-known of the group.

All six of the Consolations were composed in one of two keys – E Major or D-flat Major. It is interesting to note that, throughout his career, Liszt always wrote in E Major or D-flat Major when seeking to express a religious message. However, we have no indication from historical records exactly what that message was in the context of the third Consolation.

The D-flat Major Consolation was an echo of Liszt’s colleague Chopin, who also wrote a D-flat Major solo piano composition (although Chopin called it a Nocturne, not a Consolation). It is very apparent that Liszt was imitating Chopin’s style in writing the third Consolation. For instance, both pieces begin with a long and almost breathless bel canto opening line in which the pianist’s right hand weaves a soprano melody over the rolling bass-line of the left hand.

There was also a bit of technological experimentation involved in the composition of the third Consolation. Three years after composing it, Liszt received from Steinway & Company a brand-new grand piano with a newly invented feature – the sostenuto pedal. This pedal sustains only the notes that are being pressed down, essentially allowing the pianist to hold certain notes while playing other notes that are unaffected by the pedal. Liszt reportedly sent a re-drafted version of the D-flat Major Consolation to the managers of Steinway & Company to show them that he had adapted his compositional ability to their invention.



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