A Piece of the Limelight

Hello all,

Our music for this week is the Rondo in G Minor for Cello by Antonin Dvorak, performed by Michaela Fukacova.  

In the early 1890s, Dvorak spent several months traveling Europe with the German violinist Ferdinan Lachner and Bohemian cellist Hanus Wihan. Over the course of those months, he realized that there was a significant repertoire gap between the two instruments. There was simply far more music written for the violin than for the cello. The Rondo in G Minor was one of three pieces Dvorak wrote in order to help the cello gain some ground.

Dvorak represented the cello well. You’ll notice right away that the piece beautifully showcases the lyrical aspect of the cello’s voice. However, the latter portion of the piece also gives the cellist a few technical challenges that provide an opportunity for some impressive virtuosity. This is consistent with Dvorak’s desire to give the cello more public recognition, particularly since it had long been viewed as a solely accompaniment instrument.  

If you’ve been with us for a while, you’ll know by now that Dvorak was a passionate Czech nationalist. His music is replete with melodies drawn straight from Czech folk tunes, and the Rondo in G Minor is no exception. The opening melody, for instance, has hints of his usual Slavic-style dance structure, and even the more virtuosic sections are tinged with a lilting dance-like texture.

Enjoy!

T

Top 25 #17 – Barber Adagio

Hello all,

We are continuing our series on the Top 25 Greatest Pieces of Classical Music with Adagio for Strings by American composer Samuel Barber.

Samuel Barber wrote this piece in 1936 as part of a string quartet. The legendary conductor Arturo Toscanini, upon hearing it, begged Barber to arrange it for full string orchestra. Toscanini later premiered the work with the NBC Symphony Orchestra, and it became an overnight sensation. It has become renowned as one of the most moving pieces of music in the world. It was played at the memorial services for President Franklin D. Roosevelt, President John F. Kennedy, and Albert Einstein.

This piece is powerful because of its simplicity. It is a study in the bare essentials of music. Notice how the melody is only in one instrument at a time. The rest of the instruments provide a held-out chordal background over which the melody floats. It is also powerful because of the tension that it creates. Notice how the harmony and melody never change at the same time; this tug-of-war creates rising tension as the tonal exchange escalates.

As you listen, keep in mind the words from Virgil’s Aeneid that inspired this piece:

A breast-shaped curve of wave begins to whiten

And rise above the surface, then rolling on

Gathers and gathers until it reaches land

Huge as a mountain and crashes among the rocks

With a prodigious roar, and what was deep

Comes churning up from the bottom in mighty swirls.

Enjoy!

T

Top 25 #4 – Blue, Blue, Blue

Hello all,

This fourth installment in our Top 25 series is the Blue Danube Waltz by Austrian composer Johann Strauss.

You’re more likely to hear the Blue Danube Waltz on New Year’s Day than on October 5th, but it has to be on this countdown because is one of the most popular and well-loved pieces ever written. As a result of this waltz’s success, Strauss was nicknamed “The Waltz King.”

However, the New Year’s Day tradition in which the Vienna Philharmonic performs this waltz to listeners around the globe belies the less-than-pleasant circumstances of its writing. Strauss essentially wrote the waltz to cheer up his country. Austria had just been defeated by Prussia in the Seven Weeks’ War and was in the midst of a post-war economic downturn. He based it on a Karl Beck poem that included the line “By the Danube, the beautiful blue Danube,” and made it his mission to lift the spirits of Austria with a upbeat and memorable waltz.

There are five distinct themes in this waltz. The delightful video for today’s music does a fantastic job of displaying these five themes through ballet.

Enjoy!

T