The Music of Ballet – Don Quixote

Hello all,

This week’s music is the Dance of the Matadors from the ballet Don Quixote.

Inspired by the Miguel de Cervantes novel by the same name, Don Quixote was composed by Ludwig Minkus and first choreographed by Marius Petipa for its 1869 premiere in Moscow. It tells the story of Don Quixote, a bumbling, romantic dreamer who decides to escape from reality by living in a fantasy world of his own creation. In this world, Don Quixote is a brave knight searching for his beloved Dulcinea. To assist him in his quest he enlists the ever-faithful Sancho Panza, and the two of them set off in search of glory.

Different groups of dancers are featured throughout the ballet. The Dance of the Matadors is one such instance. Notice how Minkus’ music mirrors the energy and bravado of the matadors, and how it changes to incorporate new characteristics when the lead matador dances with his love interest. This is a skill that ballet composers are especially adept in: creating music that aesthetically imitates certain physical movements.

Enjoy!

T

The Music of Ballet – A New Series

Hello all,

This week’s music, the final scene from Tchaikovsky’s ballet Swan Lake, is part of a new series on ballet music. Over the next few weeks, we will be listening to (and watching 🙂 some of the greatest ballet music ever composed.

Ballet music is an interesting and unique sub-genre of classical music, primarily because it was not written to be performed on stage. Unlike most classical music, ballet music was meant to be heard and not seen. The musicians in a ballet sit in what is called “the pit,” a lowered enclosure that sits below the front of the stage. The conductor stands at the head of the orchestra on an elevated platform, where he can watch the ballet while also conducting the orchestra.

Ballet music is also unique because it involves physical movement in a way other classical music does not (with the rare exception of extremely athletic performers like Joshua Bell and Yuja Wang). It requires coordination between a choreographer and an orchestra, as well as constant vigilance on the part of the conductor to ensure the music and dance are fitting together properly.

Swan Lake is the tragic love story of Prince Siegfried and the swan Princess Odette, whose love must face sorcery, magic spells, evil magicians, betrayal, and more. Despite its fame, the ballet was not originally well received when it was premiered in 1877. It was not until the world-renowned Mariinsky Theatre in St. Petersburg decided to showcase the ballet that it gained the kind of fame it enjoys today. Since then, it has been choreographed by ballet maestros like Lev Ivanov and performed by legendary dancers including Rudolf Nureyev.

Enjoy!

T

Top 25 #12 – The Rite of Spring

Hello all,

We continue our series on the Top 25 Greatest Pieces of Classical Music with Igor Stravinsky’s “The Rite of Spring.”

The “Rite of Spring” was a complete scandal when it was first performed. Stravinsky wrote it as the score for a French ballet in 1929, and the audience was horrified by Stravinsky’s disregard for conventional harmonic structures. When combined with Russian Ballet director Serge Diaghilev’s jolting choreography, the dissonant sounds of Stravinsky’s music were anything but “spring”-like. However, this notoriety ended up serving “The Rite of Spring” well. It is now performed just as often in orchestral settings as it is in ballet settings. The music has come to define an era of music.

“The Rite of Spring” is based on a representation of Russian rituals and culture that Stravinsky had been wanting to compose for many years. The themes are simple and dark, depicting furious storms and violent struggles. Stravinsky described it as “a musical-choreographic work . . . unified by a single idea: the mystery and great surge of the creative power of Spring.” There is no specific storyline that unifies “The Rite of Spring,” just a serious of separately choreographed scenes that represent moments in time.

Enjoy!

T